faulker071

Small differences Growing up in Cheltenham, I got used to Georgian and Regency architecture very early on. Many of the town’s streets were terraces, crescents, or squares of tall, stucco-fronted houses, many with ornate iron balconies, and when I first went to Clifton, there were many similarities. Not surprisingly. Clifton expanded at the end of the 18th century and the beginning of the 19th, when Bristol was booming as a port. However, there were also differences in the architecture. I’m relying on my memory here, but I’m sure my young eyes noticed two things, neither of which are much in evidence now, except on the occasional house, like the one in my photograph, which is on Sion Hill, Clifton and dates to the 1780s. What I noticed was that a number of the balcony roofs were striped black and white, and that many of the windows had shutters. These were unfamiliar things to me and seemed to my uneducated eyes to give the houses an exotic quality, like something out of a story book. ...

Roger White, Cottages Ornés: The charms of the simple life Published by Yale University Press As the Christmas period approaches, I’m reviewing a small clutch of recent books that I’ve enjoyed and that might give pleasure to readers interested in architecture. First, a book on a kind of house that stands out in landscape and villagescape: the cottage orné … The ornamental cottage – a small rural dwelling made more visually pleasing than the standard worker’s dwelling by means of various decorative embellishments – is one of the most charming phenomena of the 18th and 19th centuries. It has found an enthusiastic and well informed chronicler in Roger White, who begins his survey investigating the roots of the genre in mid-18th century rustic estate buildings before exploring the fashion at the beginning of the 19th century for housing rural workers in picturesque cottages with thatched roofs partly held up with rustic poles, verandahs, bits of timber-framing, fancy bargeboards, and other...